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Carrara F.A.Q (Last Updated: 2026 Jul 30 8:26 pm)

 

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Subject: Shoestring Shaders Application


bwtr ( ) posted Thu, 29 March 2007 at 11:16 PM · edited Thu, 06 August 2026 at 4:51 AM

Is it one of Brians days?  I am at a complete loss at how to apply/use some if the Shoestring shaders. In particular, at the moment, The Spokes and Shadow Pass filters.

Help please!

bwtr


MarkBremmer ( ) posted Fri, 30 March 2007 at 10:09 AM · edited Fri, 30 March 2007 at 10:10 AM

Hi bwtr, Shadow Pass is used at the top level of the shader tree. If you go to where you select Multichannel, you'll find the Shadow pass option there. Essentially it's a "hide" feature that still allows a shadow to be cast from an object. This is a nice feature to use when blending photographs and 3D in Carrara. Spokes is typically used as a blender with the Mixer feature in the shader tree. (However, I've used it the Alpha Channel quite a bit) It can be animated over time. In the color channel you can make radars, clocks, propellers, hypno-beams... Mark






bwtr ( ) posted Fri, 30 March 2007 at 8:46 PM

Thanks again Mark. Finding the Shadow Pass in my long list in the dropdowns took me a while (right down in a special list at the bottom) but I would never have though to use where you suggested.

Lots of fun to be had with the Spokes now BUT can you explain what you mean by "radars" and "hypno-beams" please.?

Hypnobeams? My poor old brain boggles!

Brian 

bwtr


MarkBremmer ( ) posted Fri, 30 March 2007 at 11:35 PM

Well, radar scopes would be a serious usage where you might imitate the green, swooping pass made by the radar sweep on a monitor in an air traffic control tower. Now the Hypnobeam, that's pure, cheesy B-quality science fiction. Think "mad scientist with magical device that hypnotizes hapless victims" :-D






bwtr ( ) posted Sat, 31 March 2007 at 2:19 AM

OK. Radar scopes in green I understand (I think!)

But the mental jump from????? to green men scoping along radar beams out in space--well, frankly, leaves me on a "moon beam" looking at the man.

bwtr


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