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FOR IMMEDIATE RELEASE
15 June 2009
For further information:
Brian Ban
+1.773.454.7423
+1.773.915.5050 fax
media@siggraph.org
SIGGRAPH Curated Art
Presents Generative Fabrication
(Chicago, IL) - Design and Computation is brought
to the forefront in the SIGGRAPH 2009 Curated Art Gallery -
Generative Fabrication - an exploration of non-linear and natural
processes in design and digital fabrication.
"Generative Fabrication shows extraordinary work
inspired by the physical and biological world, which takes
advantage of new production techniques enabled by computation,"
said Makai Smith, SIGGRAPH 2009 Curated Art Chair from Bentley
Systems. "The innovative structures, sculpture installations, and
complex forms in the gallery show how the computer has unlocked a
new field of inquiry in art, architecture, and design."
The curated installations will present design
ideas from two main themes:
- Generative design - algorithm and process,
explorations of phase space and path dependent emergent phenomena,
form-finding (versus form-making), and iterative design through
simulation, analysis, and optimization.
- Digital fabrication - the interplay between
digital representation and the crafting of physical objects;
formation of structures by aggregation, weaving, and layered
manufacturing; and exploitation of organic and composite material
properties.
Highlights of SIGGRAPH 2009 Curated
Generative Fabrication Gallery Include:
Monumental Nets
Janet Echelman, Brookline, Massachusetts, USA
Ian Keough, Buro Happold Consulting Engineers PC, New York, New
York, USA
Janet Echelman and Buro Happold Consulting
Engineers PC have developed a sculptural technique which
synthesizes traditional fabrication methods with digital
form-finding and rationalization processes to create monumental,
massive public sculptures.
Schiara Lantern
Greg Lynn/FORM, Venice, California, USA
Bill Kreysler, Kreysler & Associates, American Canyon, California,
USA
An approximately six-foot diameter lantern
consisting of a single hollow volume constructed from multiple
translucent molded composite parts with numerous apertures at
multiple orientations.
Complex Form in Timber
Fabien Scheurer, designproduction, Stuttgart, Germany
The combination of parametric CAD systems and
computer-controlled fabrication tools makes timber the perfect
material for free-form architecture. The advent of digital
fabrication technologies has opened the doors to ever more complex
shapes in architecture. Computer controlled mills, drills, and
cutters are used to transfer the principles of mass customization
to the building industry. Those computer numerical controlled (CNC)
tools are able to produce thousands of individual components almost
at the cost of mass production, allowing the construction of
complex curved shapes within reasonable budgets.
Rules of Six
Chris Lasch, Aranda/Lasch, New York, New York, USA
A large-scale commission by the Museum of Modern
Art for the exhibition Design and the Elastic Mind, Rules of Six is
an experiment in growth. The design explores issues of
self-assembly, where top-down methods for determining form are
replaced by bottom-up rules of formation. The structures presented
are not carved or composed in a traditional sense; they are grown
through simple interactions (hexagonal in nature) that are similar
to the ones molecules follow in the lab.
MyLight.MGX
Naomi Kaempfer, Materialise.MGX, Leuven, Belgium
This piece demonstrates how an electric
commercial lamp can be different for each customer due to a
manufacturing method (SLS) that allows for the production of an
object without using a mold - they are simply "printed"
three-dimensionally.
Holy Ghost
Lionel Theodore Dean, Artist/Designer, FutureFactories
In Holy Ghost, digitally generated modifications
are made to Philippe Starck's iconic Louis Ghost chair. A computer
script runs in real time determining the number, position, size,
and shape of elements that make up the form. Real world chairs are
"printed" directly from digital data - each one a unique
solution.
Ground Substance
Jenny E. Sabin, CabinStudio, Department of Architecture,
University of Pennsylvania, Philadelphia, Pennsylvania,
USA
Ground Substance presents work from LabStudio, a
hybrid architectural biological design unit founded by Jenny Sabin
and Peter Lloyd Jones at the University of Pennsylvania. Their
mission is to produce new modes of thinking in design and
biomedicine through the modeling of multi-dimensional biological
systems with experiments in fabrication and material
construction.
Pluripotent Structures
Ferda Kolatan, su11 architecture+design, New York, New York,
USA
Pluripotent Structures is an investigation into
adaptive and variable formal and structural organizations that have
more than one possible outcome while maintaining an overall
coherence.
The SIGGRAPH 2009 Generative Fabrication exhibit
will be presented in conjunction with the SIGGRAPH BioLogic Art juried exhibition.
Complete details are available at http://www.siggraph.org/s2009/galleries_experiences/generative_fabrication/.
For detailed information on the SIGGRAPH 2009 dynamically evolving
program or to download a copy of the SIGGRAPH 2009 Preview Video visit www.siggraph.org/s2009.
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About SIGGRAPH
SIGGRAPH 2009 will bring an anticipated 20,000 computer graphics
and interactive technology professionals from six continents to New
Orleans, Louisiana, USA for the industry's most respected technical
and creative programs focusing on research, science, art,
animation, music, gaming, interactivity, education, and the web
from Monday, 3 August through Friday, 7 August 2009 at the Ernest
N. Morial Convention Center. SIGGRAPH 2009 includes a three-day
exhibition of products and services from the computer graphics and
interactive marketplace from 4-6 August 2009. More than 200
international exhibiting companies are expected. More details are
available at www.siggraph.org/s2009.
About ACM
ACM, the Association for Computing Machinery www.acm.org, is the world's largest
educational and scientific computing society, uniting educators,
researchers and professionals to inspire dialogue, share resources
and address the field's challenges. ACM strengthens the computing
profession's collective voice through strong leadership, promotion
of the highest standards, and recognition of technical excellence.
ACM supports the professional growth of its members by providing
opportunities for life-long learning, career development, and
professional networking.
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