Bill Plympton, the two time Oscar nominated animator and
director, whose work runs the gamut of television commercials,
animated shorts, and six animated feature films, has indeed enjoyed
quite a bit of success with his work. Originally starting out as an
illustrator and caricature artist, he has been full into animation
for some 25 years since having scored with his very first short,
Your Face, in 1985.
Idiots and Angels is Mr. Plympton's sixth animated
feature film. The entire film was incredibly hand drawn by Bill
alone, pencil on paper, and then colored and shaded digitally. He
has said it took him about a year to write and storyboard the film,
a year to draw it, and almost a year for post production. And
that's certainly 3 years well spent on what could be considered his
best feature yet.
I had the opportunity to view this film myself and found it to
be an absolutely stunning work of art. The film, in short synopsis,
is "a dark comedy about a man's battle for his soul."
Mainly centered around a dark and dingy bar, there are five main
characters: Angel, Bart the bartender, the bartender's wife, an old
floozy, and a doctor.
Mr. Plympton creates his main character, Angel, as someone who
is seemingly far beyond redemption (in the beginning of the film,
we see him set his tie ablaze in a motorist's gas tank in order to
get his parking space). So, indeed, right away we see it as a true
struggle for him to accept it when a pair of wings inexplicably
grow from his back and steer him away from his normal behavior.
But, rather than try and give the whole story here, check out the
long synopsis on the Idiots and Angelswebsite.
(c) Bill Plympton
Idiots and Angels really is an important film with all
the right elements going for it. Great story, great soundtrack, and
a cleverly delivered animation style that is trademark Bill
Plympton. Fiercely drawn and minimally colored, this 'cartoon noir'
is simply a must see.
It's amazing to view this beautiful film and know that it simply
came about from an off-hand comment Mr. Plympton himself quipped to
a student when asked what his next project would be: “Oh,
it’s about this a-hole who wakes up one morning with wings on
his back and how he deals with these wings that make him do good
things.â€
(c) Bill Plympton
I really enjoyed the story and the humor, and there were some
really great laugh out loud parts. One scene that really struck me
funny was when, just after wiping out competing bars, Bart the
bartender goes back to his own bar and oils up his cash
register!
However, aside from the story and humor, what I especially
enjoyed about the film was how Mr. Plympton animated it. His use of
odd perspectives, like the view from the inside of an ashtray, is
absolutely brilliant. Further, I loved the metamorphic transitions,
like the main character's morning routine, wich you can see in the
film's trailer here.
(c) Bill Plympton
Another thing I think is absolutely genius, is that there is no
dialogue whatsoever. Just sound effects and a great choice of music
to move the story. Along with musicians who have worked with Mr.
Plympton in some of his previous works, he also used music from the
likes of Tom Waits, Moby, and Pink Martini. The Tom Waits
selections I thought were especially fantastic in the scenes they
were used.
(c) Bill Plympton
It's definitely worth the time to check out the Idiots and
Angelsfilm website to view
the movie trailer and other clips. Also, be sure to have a look at
Bill Plympton's YouTube channel to see clips of his other works.
(c) Bill Plympton
I also encourage anyone to check out Mr. Plympton's website, to find out more about him and his work, and
also purchase his earlier works and collections. You can also see
his Ani-Cam page to watch 'over his shoulder' as he worked
on drawing Idiots and Angels.
Theatrically, Idiots and Angels is preceded by the Bill
Plympton short, The Cow Who Wanted To Be A Hamburger,
which received a nomination for the Annie Awards, in the category
of Best Animated Short Subject. The Annies are
given out by the International Animated Film Society,
ASIFA-Hollywood branch, and will be presented on February 5 at
UCLA's Royce Hall in Los Angeles. See a clip of The Cow Who
Wanted To Be A Hamburger below:
(c) Bill Plympton
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Idiots and Angels
78 mins, Color, 2008
Ratio, 1:1.85
Credits:
Director:Â Bill Plympton Writer: Bill Plympton Animator: Bill Plympton Producer: Bill Plympton, Biljana Labovic Art Direction: Bill Plympton, Biljana Labovic Production Artists: Biljana Labovic, Kerri Allegretta,
Lisa LaBracio Editor: Kevin Palmer Sound Design: Greg Sextro Music: Hank Bones, Nicole Renaud, Corey Jackson, Rachelle
Garniez, Didier Carmier, 3 Leg Torso, Tom Waits, Pink Martini
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All supporting images are copyright (c) Bill Plympton,
and used with permission. All content and images cannot be copied, printed, or
reproduced in any manner without written permission.
Nick C.
Sorbin is a digital artist, sculptor, writer, and
Managing Editor for Renderosity's Front Page News.
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