Sometimes presentation is forgotten about in the creative
process. This was brought home to me during the past holiday season
when I went to a number of art show and sales. These were shows at
art galleries. Even though the art work was not juried, the people
submitting them were, theoretically, "artists." Some of what I saw
appalled me. When I first started showing my art work, one never
could put anything up that wasn't framed, even in a holiday show
and sale at an art gallery. I always followed the motto that only
framed pieces go up on a wall. I saw digital prints, not even well
printed covered by loose shrink wrap on a wall. These should have
been in a bin with the other non-framed prints. I saw canvases
without any frame at all stuck on a wall. And I saw digital prints
that were strictly poor non retouched photographs selling for $100.
These were, obviously, still there when the show closed. A good
digital print starts with a technically good piece of work. I am
not speaking about artistic quality. I always love the statement
"Garbage in, garbage out." Before you frame it, make sure you have
printed it well. Look at it under a combination of lights. Make
sure that the shadow details show as well as the details in the
highlights if they showed on the monitor. Sometimes because of the
difference in types of light, the monitor image will appear
differently from that of the printer. I am not really discussing
calibration but qualities of light. Sometimes the monitor light
will wash out highlight shadows or expose shadow details in the
shadows that do not appear in the print. If you mat it, make sure
that mat is well cut with square corner edges unless you are using
ovals, etc. It is interesting to do this experiment with a friend.
Show a friend a piece of work that you like. Then put a mat around
it, and then put it in a simple frame. Do these three steps close
together, and I think you will be amazed at the difference it
makes. Also, try using only white, black, or off white mat board. I
used to use colored mat board until a watercolor artist who showed
a lot (this was 10 years ago and he was not speaking about digital
art) told me that shows only accepted white or off white mats. I
started using them, and I have found that I prefer them over
colored mats even when the color picks up a predominant color in
the image. I still do use colored mats, but, then, I have developed
the image, mat, and frame together. The next area in presentation
we, as artists, have little control over is how our work is
submitted to shows. I will discuss this in my next column. Anyway
these are some of my thoughts. I'd like to hear thoughts from you,
out there, on the topic of presentation.
- The Paula Sanders Report is a regular Renderosity
Front Page featured column, where Paula investigates and comments
on graphic software, techniques, and other relevant material
through her reviews, tutorials, and general articles.
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