Have you tried a different scanner? WHat color depth did you use, and at what resolution and DPI?
Great article. I was amazed how the dark color WAS really there!!! Indeed, an optical illusion.
Your website is wonderful. Great artwork.
There is a similar optical illusion around that uses a chequerboard with a cylinder casting a shadow. The shadow looks different shades of grey but is in fact the same shade. Do not always believe what your eyes see!
I don't know if it is truely an optical illusion but I see what you mean. I have had similar "visions" In looking at things in heavy shadows. For example Ckeck out some shades of green in a dark forest where a bright ray of light sneaks thru a hole in the canopy. Your eye really can be fooled or is it your brain? Thanks for the fun ,,,this is what part of what art is about.
a good lesson for you , most if not all of our senses work relatively. Maybe next time you can write about RGB to CYMK conversion were these colorshifts do take place. thx for the article.
This is actually a very important phenomenon Ms. Sanders has brought up, and Becco_UK touched on it a little more. What your seeing is called "simultaneous contrast of value" [or something there abouts]. What happens is you more or less "see" all the colors in your field of view relative to one another. The easiest way to veiw this phenonmenon is take a medium gray value, and place it on a white, and a black square, and note how much darker it appears on the white one, and how much lighter it appears on the black one. This phenomenon is actually why a lot of people complain about their images looking too dark when they upload them here, whether realize what is actaully going on or not. Their image is the same as when it was, its just now displayed on a white background, making it appear a lot darker than it actually is.
If you want to know more about it, you can find a lot of relevant links with Google. This illusion is noticable in color as well. Really interesting stuff, and something all artists should be aware. [Especially web page designers :p]
Attached is a quick demeonstration of it. [Note the bigger you can make the image on your screen, the more more obvious the effect will become.] Anyway, cheers, and fun stuff, don't want to make this too long winded. :)
I think it's an optical illusion as those found on this site http://www.jp-petit.com/Inclassable/illusion_optique2.htm
Especially, the one with the chess board and the green cylinder.
By: Paula Sanders
As I read the comments, I remebered that when I had a dark room and developed black and white prints, I always developed and fixed a white square and a black square to make sure that I had a little of both in each print. Sometimes the black turned out to be a dark brown and I had to reprint.
More along the same lines as the chessboard and cylinder example here:
Hi. I copied your door image and examined it with CorelPaint. Using the Magnifier tool one can see that just about door center, the pixels are grey scale. As ine proceeds upwards, the become a variety of sepia tones. If one uses a color sample tool, then most of the pixels near top of door are within a few shades of the swatch shown. Interesting how our eyes expect the color to be a shade of white. I just posted an equally interesting illusion that shows how your eyes fabricate mis-information. Caut and paste this URL to jump to my Gallery.. or search for 'davidoblad'.. Cheers!!!
This is more than likely matrixing of color value and hue. WYSIWYG is only as good as what you see. You know as well as anybody that reflective and projected images will be interpereted differently bt the eye.
I would throw a print from the original file into a lightbox against a print taken from a screenshot of the same print. That would at least end any questions about where the discrepencies are occouring.
Thanks for the refresher art course Paula. It is mind-boggling how different the shaded area is perceived when it is near the white and when it is separated. Thanks so much for the article, it is something to keep in mind when both photographing as well as printing.
It's just like what most others expressed; being fascinated with biology, chemistry, physics, and mathematics, I studied a little of all these a bit further.
Research has shown that our perception is highly relative; part of it is reactive, while it can also be symptomatic (like when your neural connections become overloaded and you become temporarily near deafened or blinded). In your case, the dark areas on the the door panels make the ochre upper door parts seem a light beige.
In fact, there is a simple way to overcome this: if you close your eyes so much you barely see, you'll notice there's almost no difference between the two.
So, the illusion comes from you perceiving it as any different than the swatch (which, in fact, seems to be a cropping of the original picture). Another good example of this illusion is to draw a board full of black squares that only have a thin white grid separating them (think of it like plus white plus signs [+] connected to each other on a black backing); the grid will seem to be gray at the intersections.
I just want to point out the following about the eye- we have rods which register black/white, and cones which register R, G or B (which is why TVs and computer monitors work with RGB). In the retina, the intensity and hue of a color are interpreted in relation to the intensity and hue of other colors on the RGB and black/white scale. The info is then integrated in the retina to a multitude of hues and saturations in the ganglion layer before being transmitted to the brain. The problem comes in the integration when one has too contrasting a subject, like here, with black and white and shades of gray close to each other. It's based on the phenomenon called lateral inhibition. When the image reaches the brain, it tries to make sense of the input, which can further "distort"/misinterpret the color information. This is a well known phenomenon to reseachers in visual perception/physiology of visual systems. (I'm an anatomist, so I have a good insight in the workings here- summation of nerve impulses, lateral inhibition, etc.). I doubt there's anything wrong with your scanner, computer or printer. Good luck!
"When I put the original image next to the one (the image immediately above) on which I had used the magic wand to separate the shadows, I could see the difference."
If this were a contrast illusion, it would not persist when you mask off parts of the screen with a sheet of paper.
Besides, with the last image you provide, the Photoshop CS2 eyedropper confirms that the colours at the top of the door are different RGB values.
Another thought - monitor calibration may be out. On my monitor (Eizo L768), the shadows are definately not white/grey/black but in all samples provided here are clearly 'sepia'.
This isnt an optical illusion. What you are seeing is the reflected light from the ceiling bouncing light onto the wall and creating a value difference. since the wall,doors, ceiling and floor are all white in color the light is bouncing from surface to surface.Also the grass reflects light because it is a lighter value and that color is being reflected onto the wall as well. Your seeing a hard shadow from the direct sunlight and soft shadows from reflected light within the doorway.This is an effect that many render engines try to simulate. Its refered to as Ray Tracing in the cg world.
If you want to see how this works find a doorway with simular lighting and hold a white card such that the light reflecting off of the card bounces onto the wall. You are now affecting the value of the lighting on the wall.
Actually, there's nothing wrong here, but it's weird that the illusion doesn't work well on paper.
Anyway, calling it an illusion isn't incorrect, this is basic color theory, how adjacent colors affect other colors.
It's like the pink/magenta on 50% gray thing (anyone who's done painting should know this one), now the gray looks green(if I remember my color wheel correctly).
And anyone who actually looked at the images while reading the article would see that this is what's going on(although it hasn't got to do with complimentary colors), as you can clearly see the brown in the color when it gets separated with a border.
If I'm not entirely incorrect, the swatch is actually even a piece of the picture (notice the white line in it and some things that look like jpg artifacts).
Anyway, never trust your eyes, they lie, well, actually your brain does, because of all the little things it does to make you see something that makes sense instead of just a bunch of colors.
Minieffects: What you are describing is not ray tracing, but indirect lighting, sometimes called radiosity, some global illumination systems incorporates it and in some the two are not directly connected, but they use similar algorithms or something for their photon calculations.
That might be the reason why it looks a greenish brown, but what was confusing here was that she didn't see it, because of the adjacent colors affecting it, as far as I can understand.
Ah, I just read T. Rex' post, and he has a pretty nice and quick explanation of the physiology behind such color phenomena.
Acutually radiosity was what I meant to say, thanks for the correction Sardtok. I get my cg terminolgy mixed up sometimes. I guess Im not really understanding what the problem is. Is it a monitor/printer calibration problem or that she doesnt believe what the photo shows. To me, what she sees as an optical illusion looks perfectly natural. When we are lighting sets for film we go to great lengths to simulate this indirect lighting to make an otherwise fake enviroment on a stage look real.
All very interesting comments though.
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Things like this are invaluable to artist who use 256 or fewer colors in pixel art. Working this to your advantage could make the differace between garish low color images, or something passes that for "photo realistic"