Well, this sure is a creepily fun compilation of some of Steff's stuff ;-) Nicely done, Johnny!

I've seen no signs of Steff recently and I hope he's okay.

i so miss his works here, hope he will be back, and a dynamite short video my friend. top notch.

Great work!

super video gefällt mir

Steff's images are great but here they have a new life, a superb one ! I visit your site often but as I don't have an account, I can't comment on your videos.

Great animation, nice movements love the music

Technical accuracy abound here! Brilliant theme and effects. Only a certain amount can be created via AI, but YOU made it all flow together. You're the MASTER, Johnny!

hmm, I do not what to say, BUT you have to create a movie and try to sell it ;-))))

Well worth a visit

30 seconds of adrenaline my dear friend, a super job as you always know how to do 👍🙋‍♂️

Dude this is so COOL :)

Wonderful stuff

GO HABS GO :)

It seems it's those days with scifi :) I remember Dark Vador from few times back.

Just incredible ! The video you made for your friend makes jutice to his art ! Congrats to both of you ! Nox I'm scared ! (LOL!)

You picked an amazing and truly talented artist to create your animated masterpiece. I mean WOW! Fantastic job and great soundtrack to go along with the animation. Very professional and detailed. Keep up the super work.

Just bowing to the master Director magician.

Ok, I saw the full Steff-7 video---on youtube---but I'll comment on it here.

First: Kudos to Steff for his first rate character work. (And I hope he's ok---some words here about not knowing...)

Then the video itself:

Lots of cuts to different scenes, all pastiched to make a whole. This kind of editing takes real time, and I assume it took you real time too. I.e, to keep a thread while still allowing each scene to have its own life. (You acheived it.) (Examples in film: Scorsese, the Safdie brothers, Oliver Stone, etc.)

In the opening takeoff, the ship veers to the left while the truck veers to the right---just plain good composition. The abduction is also so well done, from seeing only part of the ship, then you pull back and the whole ship appears in front of wonderful nighttime skyscrapers, etc.

The shot at the spacestation---a ship lands which looks like a giant tarantula. Good cinema! You understand how mere shapes can dominate the shot. Then we realize that the station is floating in space---it's not moored on anything (I think), and we see a city and the universe above and below it---that's cinematic thinking, Johnny.

You have a moment when the face of a giant monster is dripping thick green goop--great visual! The creamy silken green stuff against the angular sharp fangs---another piece of pure cinema (using the visual field for all its worth).

The scene where a sea monster pulls the woman in to the sea, then we see its tail emerge and submerge as if it just digested her (and we see the remains in its body). (This is not the film to watch on easter sunday...) Or the monster coming through the tv monitor screen: Great play with the medium. (Remember "Purple Rose of Cairo"? Woody Allen? Where an actor steps out of the movie and into the movie theater, and falls in love with a woman in the seats?) You're thinking a mile a minute in pieces like this. And the music---with cutting bass (rich in amped overtones, if you deal in sound a lot---sharp, piercing tones)---is perfect for the trailer. I have to remind myself that this is just a trailer---you packed a lot of action into it. And btw, the scene with the woman in the cave, w/ the calm mirror-like water? It's a perfect foil to the terror of the rest of the piece, and a beautiful contrast with the cave walls, etc. Terrific work, Johnny, once more.