1933 Ford Cabriolet Roadster by goodoleboy
Close
Hover over top left image to zoom.
Click anywhere to exit.
Members remain the original copyright holder in all their materials here at Renderosity. Use of any of their material inconsistent with the terms and conditions set forth is prohibited and is considered an infringement of the copyrights of the respective holders unless specially stated otherwise.
No AI - This artwork was created entirely by hand or with traditional digital tools.
Description
Well lookie heah, Hank! Did you ever see such a thang?
Captured back on 10/19/08, at a car show held in beautiful Santa Anita Park in beautiful Arcadia, California.
Considerable postwork was necessary in the top shot because the white of the auto was as bright as an atomic blast, and had to be toned down.
Adieu.
Comments (7)
Fine looking car.....
A beautiful old auto, with nice wide runningboards...I'd love to have this one! Great captures, Harry, and nicely worked!
I want it !!!
LOL!!! OH This is quite awesome. But I would fear, that the nose would hit a Cobblestone or something. That seems to be enough to break the tip near the ground.
Very nice clean looking car. I guess as was the style of the time, it's sans chrome. Nice job editing the tone down for viewing, Harry.
Great looking car has to be said mate, nice! Not sure whats happened to the top shot appears whited out? Maybe just an 'Auto click' in that ones case may help, shooting into the sun is a hard thing.. Rob
Your dialogue (in your description) is great---it sounds like either a southern couple, or people who speak like Katherine Hepburn. I must say, your anti-atomic-blast postwork created a most fascinating shot (first shot): I fully understand the intrusion of sunlight on a surface like this, how it turns an innocent object into a super nova. But in toning down its 'radioactivity', you got this misty strange enchanting dream-shot, like we're watching it through a very thin veil. It's a lovely composition too; and the couple are wonderful with it---in this case, people really add to the shot. The white-out makes the front look like it's made out of cream...The second shot shows a much more amber-peach tinged chrome, and the surface is beautifully captured by you. It has so many tones in it. And the shot is composed to harmonize all the elements around it---you've lined things up to make them harmonic. (It's a really diverse collection---you have a VW bus back there, among other vehicles.) A beautiful car, sensitively captured by you, and the two different postworks really show how diverse a car can be, depending on where you stand, what the light is at the time, etc. (Such white-out conditions also lend themselves to black and white, or sepia, if you're ever at loggerheads with too much light---the monotones are decent 'saviors' in overly sunny conditions...at least I find that.)