Agara, Preskyn, 1970 by Chipka
Open full image in new tab Members remain the original copyright holder in all their materials here at Renderosity. Use of any of their material inconsistent with the terms and conditions set forth is prohibited and is considered an infringement of the copyrights of the respective holders unless specially stated otherwise.
No AI - This artwork was created entirely by hand or with traditional digital tools.
Description
In 1968, when the reformer Alexóndráj Jež was appointed to the key post of First Secretary of the Agaran Communist Party, there was a brief and problematic spurt of liberalization, similar in many ways to the historically-concurrent Prague Spring. Where the Czechoslovak actions inspired five other Eastern Bloc countries to invade the country, as a prelude to the Soviet invasion (August 20 – 21, 1968) Agaran capitulation spared the country a similar fate, though Alexóndráj Jež, “the Great Negotiatior” successfully petitioned the Soviet Union to support one important Agaran reform, which led to the unification of Ruthenian Agara (in the north) and Germanic Agara (in the southwest.) Jež’s contention that under unification, social and economic inequities between the Agaran halves would be largely eliminated. Jež was correct in this view, and centralized political control by the Unified Agaran Communist Party led to the Soviet Agaran Cultural Revival: a “closet movement” seen by the Soviet Union, and indeed, the West, as Agara’s prickly embrace of its Eastern Bloc status.
The 1970s (February, 1971 – March, 1979) saw the apparent rise of the dissident movement in Agara, represented—primarily—by Švetláná Rūdnitskaija; the movement sought, increased liberal political participation in Soviet affairs and greater expression of unified Agaran socio-economic identity, and as expected, the movement faced official Soviet disapproval. As in contemporary Czechoslovakia, dissidents suffered later limitations on work activities, a ban on professional employment, and the refusal of higher education for the dissidents’ children. Police harassment wasn’t a major factor, though imprisonment played a role. In light of recent historical revelations, Švetláná Rūdnitskaija and the Agaran Communist Party, under Alexóndráj Jež were working together in what is now known as “The Elegant Pantomime.” During this time, “vanished” dissidents were taken to reeducation camps in Northern Agara where they “died”. These “dead” Agarans were often issued new official identities as members of the Agaran Secret Police, known to infiltrate any dissident organization springing up in the country. As revealed in the Agaran Declassification Act of 1998, these official police infiltrators were members of the dissident movement, trained to act as covert coordinators and political analysts. Because of the euphemistically-named “police action”, many covert Agaran dissidents “played the pantomime” and were placed into key governmental positions which led to the peaceful dissolution of the Agaran Communist Party during the Clockwork Revolution in November, 1989.
*
It’s been a while since I’ve been in Agara, The Land of the Machine, and I felt that it was time for a quick return. I was interested in seeing what was happening there, interested in what Jacob and Miranda (two American expatriates) were up to, as well as seeing what Éósláv, Pjótr, and the rest of the “Native Gang” were accomplishing, mis-accomplishing, or drinking. As it turns out, Éósláv was sitting in a window, thinking about history, of his childhood back in Communist times, and thus giving insight into Agara in general, and his vague, 1980s-nostalgia in particular.
The faux-historical image accompanying this faux-historical text is actually of Evanston Illinois, not the Agaran city of Preskiyn. I don’t know the name of the river depicted, but in Agara, I’d suspect it’s the River Pó. There will be more Agaran stuff to come, of course. Éósláv and Jacob have a lot to say and show, Miranda has a lot to discover, and Pjótr’s job is still immensely interesting (if cryptic.)
As always, thank you for viewing, reading, and commenting, and I hope you’ve enjoyed this brief jaunt into one of my favorite unreal countries.

Comments (15)
Outstanding work my friend. God bless.
Fantastic work... very very well done!
Very cool photo and great history lesson
Excellent approximation of a Soviet era photograph. The Cyrillic is a nice touch. I love the idea of dissidents infiltrating the secret police. Genius!
Beautiful work my friend. :)))) The history is most interesting. :)))) Most excellent capture my friend. :))))) Thank you for sharing all of the beauty you see. :)))) Carry A Sunshine Smile In Your Heart :))))
Great image and narrative, I agree with Mark, the idea of infiltrated is great . Your work on the image is outstanding so is the text.
Your political description is so confusing is MUST be true! LOL! Like political commentary/history everywhere, this is practically unintelligible to me. Somehow my brain switches off when confronted with this sort of information. Therefore I deem your text to be a huge success ... highly authentic! LOVE the photograph! I looked it up ... that river is most likely the north branch of the Chicago River. Amazing, huh?
As an old Cold War warrior who labored for more than three years in the 1970s to give the Soviets and their Warsaw Pact allies reasons to stay out of Western Europe, your faux history of this period reads like the real stuff... Outstanding job comrade...er, Bro:) These were complex times. Don't worry about Tara...I'll explain the times to her tonight and put her right to sleep. LOL
Your image immediately made me think of a 30's beach postcard!
Brilliant work, Chip!
Could be fiction or fact, but your text brings out the feeling of Soviet suppression, like an iron curtain turned on it's side to become like an iron blanket, at once heavy and smothering!
WONDERFUL WORK
WOW! You really made it loook old. I would havr thought it was from my grandpa´s time :) Excellent !
marvellous picture and story
I love that name, the 'Clockwork Revolution', so apt for a place like Agara. Not only does it reflect the ancient legacy of this place but speaks of a predictable and controlled process of transition from one part of history to another. That is to say, much more bloodless than other kinds of political upheavals. One hopes this in any case. I also love this idea of “The Elegant Pantomime". Again, it speaks to the grace and graceful character Agara and its public. A brilliant act of political subversion that no doubt saved thousand of lives in the process. Your photo work is very effective in reinforcing the narrative. The quality is so typical of that era and place. And so very mysterious like Agara itself. The scene is rather devoid of people which begs the question as to why the public shunned or were encouraged to avoid this place. And who then took this photo and why.