Car Studio - for DB Walton by RodS
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No AI - This artwork was created entirely by hand or with traditional digital tools.
Description
This is based on one of DB Walton's 'Car Studio' photos:
See it here
It looked like a fun challenge and idea, so Celia volunteered to be my model. I used Vanishing Point's PT Cruiser after trying a few other cars in my collection - it had the best interior of any of them - and while not perfect, it was designed more for outside views. I messed with changing the interior materials a bit and this looks somewhat OK. Rather than having just a plain background, I took an old sunset photo from years ago, and made a 3D 'postcard' in Photoshop, and stuck it outside the car.
It was a fun diversion, and I may explore this idea a bit more. But now, back to getting the next T.N.A. page ready!
Hope everyone's Thanksgiving was great! As always, thanks for stopping by, and for all your wonderful comments and support!
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Comments (36)
hot,hot,hot.
Are you sure that "DB" doesn't stand for "Double-Barreled?" Super "HOT" render, my friend ! ! !
Ok, first of all, even though you based this on a fine (I assume) photograph b DB Walton, you turned it almost into a painting. I love the painterly quality of your model's face. I really love that. She looks more surprised, caught off guard here, which adds a vulnerability to her. (Not complaining about DBW's original, just saying that you created something different, which I really like.) And her stare follows suit---surprise to find us there. You show your photographic roots in pieces like this too, because this has some photojournalistic feeling, like you genuinely caught her off guard.
The rest of her body has more mutes tones, more shadow. And her stockings are a rich chocolate brown, which harmonize with the brown undertones in that very dramatic sky. It makes her surprised look all the more jolting, because she sits in front of a somewhat apocalyptic sky.
And the angles take us right back to her---they do in DVW's piece too; but this one feels like it's got more space, his felt more cloistered (because of his tighter crop). So she feels a little more 'lost' than DVW's model, which I also like because it adds to her vulnerability here.
I must say, you combine photo with render with real photographic panache. You get poses which range from monumental to very human. This is another stunning job, Rod.
Magnificent! I should do something similar!
holy moly !!!! Ouch hot, hot, hot ! Wonderful Rod :) !
Oh my! Very nice.