Girls From T.N.A: Breitlenger Jar: Ch 6 Page 31 by RodS ()
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Well..... Now you know G4's real name! Just don't spread it around or she'll seal your lips with hot glue.... LOL
I know, I know..... You're wondering just what happened to the unlucky thief..... Answers forthcoming in the next page - which will follow soon.. Violence not ticked as no one has actually touched him. Yet.
Tons of stuff going on here, but hopefully it will calm down as the new year approaches. Got DAZ installed and configured on the new machine, and now backing everything up on a network drive. So you'll see some DS renders pretty soon.
I hope everyone had a fantastic Christmas - ours was refreshingly quiet. May the new year bring all good things to us all.
As always, thanks for stopping by, and for all your comments, faves, and support! And also for your awesome art and photos!
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Image Comments (30)
poor guy never knew what nailed him and that is probably a good thing...... bet this is the last time he tries to steal a purse. Don't worry, G4's secret is safe with me. I do love Kinnie's shirt.... Can I assume that Ella may be recruited into T.N.A? Great and delightful page. Great work, Rod!
Oh my, that expression on the guy's face-- it's priceless LOL! You're definitely good with expressions, Big Bro! I just want to send you some big Christmas hugs and to thank you for being a great Big Bro, one I always look up to. :-D Have a fantastic New Year!
He DOES NOT want the gals kicking his Lilly azz! But he did, great action, fun and thrilling page Rod. The gals look marvelous. Expressions on all are perfect. You nailed a super page my friend.
Looks like a possible new T.N.A. recruit coming our way. Exciting page, looking forward to page 32. I presume in the new year? Happy new year my friend. Hope to see these for the next many years too come.
So one piece of suspense is why the guy fainted: Because he wasn't prepared for women taking him down? I'm dying to see where this goes...IN any case, his dapper look (G4's words) lead me to believe he's got something going underneath the storyline. I love their lines ("are we THAT scary??") when he falls (and that cartoon font for "plop!" That's 100% pure cartoon lettering!), while they all stare at him in disbelief.
These top scenes seem somewhat muted in light, but the women stand out beautifully. I know nothing about it, but you have several types of light and shadow---to my naked eye---and you use them very well. It kills me that I know nothing about these techniques, because many of you discuss them in your uploads, and I'm out to lunch when you do. I wish I had a crash course in all this.
Then the meeting of Ella and Angelique. (Angelique??? I always wondered if G4 had another name.) I like that suddenly we get a glimpse into G's past via a cousin. It opens up the possibility of a whole new story line, maybe in flashbacks. (I've read the first few installments, incl your intro on the Breitlinger jar---but I didn't get far enough ((or at least I don't remember)) the origins of your characters---I mean their childhoods and years before they became agents. And the BJar history is great storytelling: I looked it up at the time and didn't find any historical reference to it, so kudos on that whole beginning lore, very well done, Rod, very real and very convincing. Ok, this is an endless parenthesis, so lemme get outa here...) (see to show you how I think, writing wise: I'd be stupid enough to do an installment on getting trapped inside parentheses, and having to call 911...scraping the bottom of the barrel, as we say...)
In this installment, btw, I think the "rail" I saw in the last inst. was really a bus. I forgot that. We see it behind Ella. Well so Ella reveals more than G4 wants (I like the little sub-twist there), and we assume she will somehow be in future tales, and maybe we'll find out more about G4's past. You're opened up several doors here.
In the meantime, the counterpoint of all this gleeful talk while Prince Charming is out like a light is very effective! (And kinnie looks down on him while the others chat---nice!) I also like the caption weaving between the women's legs in the last frame. Small thing, but really cool. And it ends in another meeting, and again, the visual of them, their figures, their outfits, their colors, etc, is finely done.
I can see this is another place where you have several story-lines going at once, and you weave from one to the other w/ each new installment. I assume this takes presence of mind, since you're juggling several stories at once. I commend you for it, you seem to be wholly at home with it, though I've no doubt it takes effort. I find myself exhausted when I have several storylines going at once, where, by the time I've woven them together, I'm ready to collapse.
More masterful work, Rod. I'm very curious what's to follow. Now I'll do some of your single images...(and the comments will be shorter, you'll make it home for dinner...)