Fri, Apr 19, 8:30 PM CDT

Abandoned chair - with variations

PhotoShop Objects posted on Apr 22, 2019
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Description


Captured 2/2/2018, somewhere out on the street. Original on top.

Comments (6)


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eekdog

4:42PM | Mon, 22 April 2019

Nice triple play of shadow shots and manipulations.

)

racolt33

7:31PM | Mon, 22 April 2019

This abandon chair casts a nice shadow on the street; hopefully not in a " NO PARKING ZONE " !

)

RodS

9:17PM | Mon, 22 April 2019

Neat series of images, Harry! I like the alternate versions!

)

starship64

1:39AM | Tue, 23 April 2019

Fantastic work!

steve2

1:58AM | Tue, 23 April 2019

Neat work. The third one looks like it's made from paper mache.

)

anahata.c

9:21AM | Mon, 29 April 2019

(The only reason I skipped several shots is that I'd already commented on them.)

Wow, I really like all of these a lot. (I don't remember seeing this when it went up---I must've missed it, which I never do.) The top one is wonderful, with the chair off to a side, and with lots of angles, incl those of the lonnnnng shadows. Great street texture too, and I like how the chair straddles the street and sidewalk. A very complex original, with great light and shadow.

The second one is drowned in "Vertigo" like stress lines (as in the Hitchcock film), and you did a fine job of retaining just enough of the original to recognize it; but the whole is taken over by what almost looks like a gigantic thumb print. Fine job with those zebra-like vertigo lines, and I love how the chair stands out amidst it all. Not an easy job, keeping definition when a pic is overtaken with such a powerful blend item.

The last one---great blend! I love the peeled wall on top of the original, making the original look like an old, old decayed photo. The chair looks great with all those wrinkles in it---this is a fine use of blending, Harry. Love that shot.

Btw, I'd be delighted to show you my photoshop methods: The problem is, I haven't any: I do everything by feel. But maybe I'll come up with some list or something, and send it to you. It's no state secret, just intuitive, so difficult to convey. Really, I just use basic adjustments, just over and over (in tiny amounts, over and over, creating an intense layered effect). It's the blending that transforms what I do. And that's all by feel. I'll see if I can get something on paper for you...something concrete...


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