Directed by Stardust's Jake Banks, TV and Cinema Spot for Team Detroit
Fuses Seductive Camera Work and Aggressive Type Treatments
Santa Monica, CA - May 3, 2010 - Bi-coastal creative production studio
Stardust was tapped by ad agency Team Detroit to launch the new Ford 2011
Mustang with a gorgeously cinematic spot for TV and cinema. Stardust's Jake
Banks directed the live-action commercial, titled "_PG." The spot
highlights the 2011 Mustang's speed, bold lines and fuel efficiency through
seductive camera work, motion type and an authentic aesthetic. The :30
version aired Wed., April 28th during American Idol on FOX, while the :60
premiered in cinemas on April 30th.
Banks and his team at Stardust were chosen to produce "_PG" because their
ability to shoot, edit, animate and rock the visual effects gave them the
upper hand over the competition.
Said Team Detroit Executive Vice President, Group Creative Director Eric
McClellan, "Jake and Stardust have made an arresting cinematic spot about
an American icon. It's pretty hard to impress Mustang people -- there's
already so much love for this car -- but when they see this, they're like
'Šthat's so cool.' Mustang has always been an object of desire and deserves
to be treated that way. Jake gave us a look that is both connected to the
car's roots and makes it surprisingly new. The special sauce is the way the
spot's gorgeous visuals also punch out an important piece of news -- 31
MPG, 305 horse power in a V6 engine -- and do so in a totally organic way.
The collaboration between Ford, Team Detroit and Stardust has dropped
something kick ass into the conversation."
Set to the soulful rock Band of Skulls track "Light Of The Morning," the
spot follows the 2011 Mustang through one of its habitats, the urban
jungle. Shots of the car captured in motion, from rooftops and even as a
reflection in a Chinese restaurant window, are interchanged with views of
the city environment. CG type accented by gleaming light effects reinforces
the Mustang's "31 MPG" and its "Primal" and "Untamed" qualities. Close-up
shots of the car's interior reveal the Mustang's customization options,
such as the available Navigation System. The spot continues to play with
light. Reflections off skyscraper facades, flashes from the Mustang's grill
and hubcaps, and the blinding sun as the car exits a tunnel give the
commercial a lazy Sunday feel and compliments the spot's earthy color
palette.
"My goal was to capture the car as if it were a character we're following
through a story and to maintain a sense of rawness and authenticity to the
footage," said Banks. "Our concept was to capture the car, as opposed to
construct a series of shots. Team Detroit didn't want another slick and
glossy clichéd car spot and were willing to push it creatively, which made
working with the brand team so fulfilling. The group that was pulled
together, from the agency, to my DP, editor, VFX and animation team, music
and sound folks, to the stunt drivers and type shoot crew -- everyone was
amazing and shared in the same creative vision."
Banks spent four days in March filming in various parts of San Francisco, a
location chosen for its ability to embody the urban vibe of any city. The
picture car shoot involved three 35mm ARRI cameras operating
simultaneously. These were attached to a Russian Arm on a pursuit vehicle,
on a motorcycle chase car, with a wide-lens camera planted on rooftops to
capture the footage below. A Stardust team of 15 worked on the spot over
the course of a month and a half, with a lot of time spent in
pre-production and upfront during the concepting phase.
To give the typography a unique look, Banks opted for an old fashioned type
shoot, capturing natural light effects using multiple lenses on 35mm film
and then warping and deforming the effects along with digital type in the
3D package Autodesk Maya. "_PG" was finished on the 2011 Autodesk Flame.
Stardust's "_PG." spot for the 2011 Ford Mustang
About Stardust Studios
Stardust is a visually driven production company with offices in Santa
Monica and New York that specializes in design, motion graphics and
live-action. Its collective of designers, illustrators, animators, VFX
artists, directors and filmmakers continually redefine creativity for
commercial, on-air, music video and experiential projects. Led by Founder
and Creative Director Jake Banks, Stardust is characterized by an authentic
voice and willingness to experiment. The studio has worked with the globe's
top ad agencies and brands on projects for HP, Nike, Sony, AT&T, Honda,
Shell, Nissan, Ford, IBM, Nokia, Adidas, BMW, NYSE, LG and Microsoft, among
many others. For more information, please visit stardust.tv or call Paul
Abatemarco at 1-310-399-6047, or Mike Eastwood at 1-212-334-7300.
Agency: Team Detroit, Inc.
EVP, Chief Creative Officer: Toby Barlow
EVP, Group Creative Director: Eric McClellan
Creatives: Adam Hull, Nick Flora, Ron Schlessinger, Arty Tan
Producer: Bob Rashid
Production Company: Stardust / Santa Monica, CA
Director: Jake Banks
Executive Producer: Paul Abatemarco
Head of Production: Josh Libitsky
Line Producer: Paul Ure
Director of Photography: Max Malkin
Design & Animation Company: Stardust / Santa Monica, CA
Post / Editorial Producer: Alex More
Designers: Neil Tsai, Gretchen Nash, Bill Bak, Ling Feng, Juliette Park,
Angela Ko
Compositors: Alan Latteri, Chris Howard
Animators: Jason Lowe, Giancarlo Rondani, Joseph Andrade, Kevin Ta, James
Yi
Type/Element shoot: Stokes-Kohne Associates Inc.
Editorial Company: Cut + Run
Editor: Frank Effron
Post / Editorial Producer: Alex More
Telecine: New Hat
Colorist: Beau Leon
Music Search Company: Agoraphone
Music Supervisor: Dawn Sutter-Madell & Jasmine Flott
Song: Band of Skulls "Light Of The Morning"
Sound Design & Mix: 740 Sound Design
Executive Producer: Scott Ganary
Sound Designer : Andrew Tracy
Sound Designer : Eddie Kim
Mixer : Mike Franklin
Vehicle Drivers: Brent Fletcher, Kelly Hine
Please note: If you find the color of the text hard to read, please click on "Printer-friendly" and black text will appear on a white background.
Create your masterpieces with products from the Renderosity MarketPlace
By: deemarie on 5/11/10
Thanks so much for posting this article. Everyone who knows me, also knows how much I hate watching commercials ... Yet, I was glued to the TV when I first saw this one air.
Not just because I own a 2007 silver Mustang (ok, I'm sure that was part of the reason), but also because of the sheer beauty of the commerical.